The Prelude – William Wordsworth

Fardad Hajirostami Responsible Conscience In his poem, “The Prelude”, William Wordsworth relives a childhood epiphany that alters his notion of nature. Wordsworth describes this expertise of his via his voyage in a ship which later dramatically turns right into a nightmarish journey. By way of use of suspenseful diction, dramatic personification, and descriptive syntax, Wordsworth vividly illustrates his notion of nature and the way he views it with sure trepidation after he encounters a “towering” and horrific determine.
The opening traces of the poem instantly personify nature as having a feministic high quality. When Wordsworth stumbles upon a ship and unloosens its chain, he describes this incident as an “act of stealth and troubled pleasure”. Wordsworth in a approach foreshadows potential risks which are lurking within the close to future on account of his responsible conscience. This responsible conscience will also be interpreted as a consequence of the sexual seduction of nature and the boat as steered by the writer’s syntax and tone.
The writer’s mentioning of the boat as “an elfin pinnace” and the outline of how he “lustily … dipped [his] oars into the silent lake” verify the writer’s untimely and lascivious tendencies. Wordsworth’s angle in the direction of the connection that he shares with the boat additionally infers a way of egotism and overconfidence. He describes himself as “one who rows, pleased with his ability, to achieve a selected level with an dependable line,” with a “mounted” view. Wordsworth’s syntax and his alternative of the phrases “mounted”, “chosen” and “dependable” all additional develop and emphasize his haughty youthful character.

Later within the poem, when Wordsworth witnesses a monstrous black determine showing on the horizon that appeared to amass an “utmost boundary”, a sudden shift in tone and diction takes place. The writer’s seemingly management of nature and his sexual dominance is abruptly stolen away from him on account of a symbolic black determine that in a approach represents Wordsworth’s responsible conscience and childhood illusions. As well as, the writer has misplaced his composure and “proud ability” in the way in which he paddles away with “trembling oars”. The incidence of this daemon determine fully transforms
Wordsworth’s tranquil and lustful relationship with nature right into a dreadful and outlandish one. Wordsworth’s earlier intimacy with nature transforms to “solitude” and “clean desertion”. The writer’s notion of nature contrasts with that of the Romanticists. The “acquainted shapes” are not prevalent and “no nice pictures of timber” or “colours of inexperienced fields” linger within the writer’s conscience. The writer’s anticipation of potential risks that appeared inevitable because of the suspenseful nature of the poem didn’t evaluate to the extent of such an episode.
A key distinction between the writer’s perceptions of nature earlier and later within the poem arises within the extent wherein he personifies it. Initially, nature was illustrated as possessing an inert high quality and a mere existence. This connotation steered that he managed nature’s approach and decided its destiny. Later, nevertheless, this earlier notion of his is altered as soon as “an enormous peak, black and big” seems on the horizon. The “voluntary energy intuition” of the determine implies that it has acquired unnatural and humanistic qualities and thus haunted the writer’s desires.
Wordsworth’s description of nature will be interpreted as Wordsworth’s childhood sexual fantasies with female figures whereas the black determine symbolically represents spiritual condemnation of his society on the time. The morals and customs of the society wherein Wordsworth lived in presumably disdained the sexual needs of the youths. Consequently, Wordsworth unconsciously fears the black determine and interprets it as a drive that has come to punish his unfitting and lustful conduct.

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